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UNC backs down on tenured professorship for 1619 Project author

1619 Project founder Nikole Hannah-Jones loses UNC tenure offer amid backlash over her ‘un-factual and biased’ work

  • UNC officials this week confirmed Nikole Hannah-Jones would join its journalism school as a professor with a five-year contract this summer
  • It comes three weeks after it was announced she would have tenured position
  • Conservatives expressed outrage at the tenure offer citing Hannah-Jones’ controversial 1619 Project for the New York Times   
  • The series ‘reframed’ American history to start in 1619, when the first slaves from Africa arrived to Virginia, rather than 1776 when independence was declared
  • It was heralded by some and criticized by others, including former President Donald Trump, who was opposed to the idea that it could be taught in schools 

The University of North Carolina rescinded its offer of a tenured journalism professor position to 1619 Project author Nikole Hannah-Jones (pictured) after backlash from conservatives

The University of North Carolina has rescinded its offer of a tenured journalism professor position to the author of the New York Times ‘1619 Project’ after an intense backlash. 

Instead, UNC officials confirmed this week that Nikole Hannah-Jones, who won the Pulitzer Prize for the 2019 series which ‘reframed’ American history to focus on when the first Africans arrived to Virginia as slaves, will join its faculty this summer with a five-year contract. 

That means one of the New York Times’s most vaunted reporters who the newspaper has doggedly stood by even as the project has come under withering criticism by historians for its inaccuracies didn’t qualify for a permanent appointment. 

The university’s Hussman School of Journalism and Media had announced late last month that Hannah-Jones had been tapped for its Knight Chair in Race and Investigative Journalism, a tenured professorship.  

The news was swiftly condemned by conservative political groups with links to the UNC Board of Governors which oversees the state university’s 16-campus system, according to NC Policy Watch. 

Among the loudest critics was the The James G. Martin Center for Academic Renewal, which argued that Hannah-Jones is unqualified for the position because her 1619 Project was ‘unfactual and biased’. 

The conservative watchdog group said her hiring signaled ‘a degradation of journalistic standards, which should deter any serious student from applying to the journalism school’. 

The 1619 Project proved a cultural lightening rod, drawing criticism from some historians who said it was a cynical view of American history – and also contained inaccuracies and generalizations. 

The backlash over Hannah-Jones’ hiring proved fierce enough to cause UNC to dramatically reduce its offer to a mere five-year contract – with the possibility of tenure after that but no guarantee. 

UNC confirmed this week that Hannah-Jones will join its faculty this summer with a five-year contract rather than a tenured professorship. Pictured: UNC’s main Chapel Hill campus

A member of the Board of Trustees at UNC’s main Chapel Hill campus explained the decision to NC Policy Watch, saying that it all came down to politics. 

‘This is a very political thing,’ said the trustee, who asked to remain anonymous. ‘The university and the Board of Trustees and the Board of Governors and the Legislature have all been getting pressure since this thing was first announced last month. 

‘There have been people writing letters and making calls, for and against. But I will leave it to you which is carrying more weight.’

‘It’s maybe not a solution that is going to please everyone. Maybe it won’t please anyone. But if this was going to happen, this was the way to get it done.’  

Behind the New York Times’ hotly-contested 1619 Project: Critics claim the series was riddled with inaccuracies because authors ignored fact-checker’s notes

In August 2019 the New York Times Magazine published the 1619 project, a collection of essays, photo essays, short fiction pieces and poems aimed to ‘reframe’ American history based on the impact of slaves brought to the US.

It was published to commemorate the 400th anniversary of the arrival of enslaved Africans in the English colonies.

It argues that the nation’s birth was not 1776 with independence from the British crown, but in August 1619 with the arrival of a cargo ship of 20 to 30 enslaved Africans at Point Comfort in the colony of Virginia, which inaugurated the system of slavery.

The project argues that slavery was the country’s origin and out of it ‘grew nearly everything that has truly made America exceptional.’

That includes economic might, industry, the electoral system, music, public health and education inequities, violence, income inequality, slang, and racial hatred. 

However, the project is debated among historians for its factual accuracy.

In March 2020 historian Leslie M. Harris who served as a fact checker for the project said authors ignored her corrections, but believed the project was needed to correct prevailing historical narratives.

One aspect up for debate is the timeline. 

Time Magazine said the first slaves arrived in 1526 in a Spanish colony in what is now South Carolina, 93 years prior to the landing in Jamestown. 

Some experts say slaves first arrived at present-day Fort Monroe in Hampton, instead of Jamestown. 

Others argue the first Africans in Virginia were indentured servants as laws on lifetime slavery didn’t appear till 17th century and early 18th century, but worked essentially as slaves.    

Princeton historian Sean Wilentz criticized the 1619 Project’s ‘cynicism,’ according to the Atlantic magazine. 

He distributed a letter signed by historians that asked the newspaper to correct what it said were factual errors.

The letter said the series was ‘ displacement of historical understanding by ideology.’

Newt Gingrich in a 2019 USA Today article said the project was a lie and that ‘there were several hundred thousand white Americans who died in the Civil War in order to free the slaves.’

In March 2020, the New York Times wrote a seemingly half-hearted ‘clarification’ to part of the 1619 project on a part of the series that said one of the primary reasons the colonists fought in the American Revolution was to protect slavery.

The clarification read: ‘We recognize that our original language could be read to suggest that protecting slavery was a primary motivation for all of the colonists. The passage has been changed to make clear that this was a primary motivation for some of the colonists. A note has been appended to the story as well’

Also that month, a professor, Leslie M. Harris, who helped fact-check the project wrote in Politico, said that she’d repeatedly argued against Hannah-Jones against the idea that the people who fought in the American Revolution to preserve slavery.

‘I vigorously disputed the claim,’ she wrote in the Politico op-ed. ‘Although slavery was certainly an issue in the American Revolution, the protection of slavery was not one of the main reasons the 13 Colonies went to war.’

Despite the expert’s advice, the Times published the story without changing the inaccuracy, something that ‘stunned’ Harris, she wrote. 

‘In addition, the paper’s characterizations of slavery in early America reflected laws and practices more common in the antebellum era than in Colonial times, and did not accurately illustrate the varied experiences of the first generation of enslaved people that arrived in Virginia in 1619,’ Harris said, listing another inaccuracy.

Harris did contend that slavery was ‘central to’ the United States’ story, but that it was ‘not, in fact, founded to protect slavery.’

Susan King, the dean of UNC Hussman, called the decision ‘disappointing’. 

‘It’s not what we wanted and I am afraid it will have a chilling effect,’ King said, according to NC Policy Watch.  

Daniel Kreiss, an associate professor at Hussman, also condemned the controversy over Hannah-Jones’ hiring. 

‘Obviously, they knew the hiring could be controversial,’ he said. ‘But I think it’s all quite silly to be honest. 

‘Nikole Hannah-Jones is one of the most prominent journalists in the United States, frankly in the world, today and [is] doing exactly the kind of work that is necessary to help the US come to terms with its racial history.

‘She’s an alum we’re frankly quite proud of and should be. We’ve had her in to give numerous talks over the years. Like her work, they’ve been rigorous, historical, investigative, and it makes a strong and forceful argument for coming to a full understanding of the US’s history to move forward from there.’

Hannah-Jones has not publicly commented on the news that she will no longer be eligible for tenure.  

In a statement on April 27, Hannah-Jones said her UNC courses would teach how to write stories that are ‘truly reflective of our multiracial nation.’ 

It’s sort of a homecoming for Hannah-Jones, who is a MacArthur Fellowship Genius Grant recipient. She got a master’s degree from Hussman in 2003.   

‘This is a full-circle moment for me as I return to the place that launched my career to help launch the careers of other aspiring journalists,’ she tweeted on Monday. ‘I’m so excited to continue mentoring students from the classroom and for all I will learn from them.’

She said she’d still be at the New York Times where she wrote the 1619 Project, which was published in 2019 as a collection of essays, photo essays, poems and short fiction stories. 

She joined the New York Times in 2015 after working at ProPublica, the Oregonian, the Raleigh News & Observer and the Chapel Hill News, according to a release from the school.

Teaching at UNC is a sort of homecoming for Hannah-Jones, who graduated from Hussman in 2013.  

Hannah-Jones became a household name in journalism with the 1619 Project – which was slammed by former President Donald Trump as ‘totally discredited’ and part of the ‘twisted web of lies’ that has caught fire in American universities that teach American is a ‘wicked and racist nation.’ 

Trump formed a ‘1776 Commission’ in response to teach ‘patriotism.’ It released a report this year before being ended by President Joe Biden.

The series ‘reframed’ American history to have it start in 1619, when the first slaves from Africa arrived to Virginia, instead of 1776, when the founding fathers declared independence from Britain. 

In her essay, Hannah-Jones wrote that slaves laid the foundations of the US Capitol and built founding fathers’ plantations. She said the ‘relentless buying, selling, insuring and financing of their bodies’ made Wall Street and New York City the financial capital of the world.

‘Before the abolishment of the international slave trade, 400,000 enslaved Africans would be sold into America. Those individuals and their descendants transformed the lands to which they’d been brought into some of the most successful colonies in the British Empire,’ Hannah-Jones wrote. 

‘But it would be historically inaccurate to reduce the contributions of black people to the vast material wealth created by our bondage,’ she said. ‘Black Americans have also been, and continue to be, foundational to the idea of American freedom. More than any other group in this country’s history, we have served, generation after generation, in an overlooked but vital role: It is we who have been the perfecters of this democracy.’

The project heralded by some and criticized by others, including a number of historians and Trump, who adamantly opposed the idea that it should be taught in classrooms. 

Princeton historian Sean Wilentz criticized the ‘1619 Project’, and some of Hannah-Jones’s other work, in a letter sent to top Times editors and the publisher, The Atlantic reported in December 2019. 

The letter, which was signed by other scholars James McPherson, Gordon Wood, Victoria Bynum, and James Oakes refers to ‘matters of verifiable fact’ that ‘cannot be described as interpretation or “framing”’ and says the project reflected ‘a displacement of historical understanding by ideology,’ The Atlantic reported. 

Wilentz and the other signatories demanded corrections.

Trump called it ‘revisionist history’ and threatened to withhold federal funding from public schools that used it.  

Republican lawmakers in a handful of states, including Iowa and Missouri, are continuing his fight to ban it from schools. 

Bills were introduced in those state legislatures that would punish school districts that use the ‘1619 Project’ by cutting federal funding.  

A major critic of the project has been The Heritage Foundation, which says it ‘has been tireless in its efforts to debunk the radical and anti-American positions taken by The New York Times and the ‘1619 Project.’ 

One of The Heritage Foundation’s articles pointed out post-publication edits that the Times made, including changing a in Hannah-Jones’ leading article in the series to say that ‘some of’ the colonists fought the American Revolution to defend slavery.

The 1619 Project won the Pulitzer Prize in 2019. It was praised by some as shining a light on untold history, but lambasted by others, including former President Donald Trump, for what he said was a jaundiced view of the US

‘The editors called this a ‘small’ clarification, and it was indeed very small, although considering that the 1619 Project’s full-throated commitment to demonstrating that American history can only be explained through the lens of slavery, this correction appears nothing short of essential,’ Heritage policy expert Jonathan Butcher, a senior policy analyst for Heritage’s Center for Education Policy, wrote. 

One of the project’s supporters, Seth Rockman, an associate professor of history at Brown University, wrote in an op-ed for the Washington Post that the project ‘is a testament to patriotism, not a repudiation.’

Rockman wrote that history is ‘an ongoing conversation in which trained professionals and multiple publics wrestle with the meaning of the past’ and disagreement is desirable ‘as it shows us that something important is at stake.’ 

He said there are warranted criticisms that ‘we should spend our time debating,’ for example the project was ‘insufficiently attentive’ about how the Native Americans lost their land.   

Trump suggested, however, that the project’s teachings were dangerous.

‘Critical race theory, the 1619 project, and the crusade against American history is toxic propaganda, ideological poison that if not removed will dissolve the civic bonds that tie us together,’ he said, according to the Atlantic. ‘It will destroy our country.’ 

Hannah-Jones, meanwhile, said on Twitter that ‘history, in general, is contested.’

‘The project unsettled many. I think that is good.’   

‘They had not seen this type of demand for a print product of The New York Times, they said, since 2008, when people wanted copies of Obama’s historic presidency edition,’ Hannah-Jones told The Atlantic in a December 2019 story. ‘I know when I talk to people, they have said that they feel like they are understanding the architecture of their country in a way that they had not’

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